Description (from the publisher): When does obsession become madness? Tragedy has forced sixteen-year-old Victor Frankenstein to swear off alchemy forever. He burns the Dark Library. He vows he will never dabble in the dark sciences again—just as he vows he will no longer covet Elizabeth, his brother’s betrothed. If only these things were not so tempting.When he and Elizabeth discover a portal into the spirit world, they cannot resist. Together with Victor’s twin, Konrad, and their friend Henry, the four venture into a place of infinite possibilities where power and passion reign. But as they search for the knowledge to raise the dead, they unknowingly unlock a darkness from which they may never return.
Review: Such Wicked Intent begins three weeks after the events of This Dark Endeavor took place. We find Victor and his family in mourning for their terrible loss. He rejects alchemy and complies with his father to burn down the Dark Library where he first heard of the Elixir of life. All of the books in the library burn with the exception of one. Soon visits to a spirit world and discovery of an ancient text on the wall of a cavern beneath the chateau revive Victor’s hopes, leading him to attempt creation of a replica body for Konrad’s spirit to inhabit. Of course the traveling back and forth from the spirit world has consequences, but that doesn't stop Victor's obsession nor does it quell Elizabeth's yearning to hold her fiance once again.
This Dark Endeavor presented us with a love-triangle with Konrad and Victor pitted against one another for their affections for Elizabeth. Such Wicked Intent now turns the triangle into a square by adding another pursuer of Elizabeth's heart which complicates matters, as does Victor’s growing obsession with power. How far is he willing to go to bring his brother back to life? Does he really want to re-animate his brother? And for whom? What else could he learn from the spirit world? Oppel fleshes out these questions through Victor’s internal moral quandaries and continued scheming.
I loved the vivid descriptive language found in the book and the further character development of the main characters. I like how Oppel uses Elizabeth, the symbol of passivity as well as Victorian female virtue in the original novel, as a three dimensional person who has her own selfish desires despite her tireless efforts to stay true to societal's conventions in his story. The conflict of interests among all of the characters keep the narrative intense and engaging. The reoccurring theme of science versus religion is done very well without being too heavy handed. While the dark supernatural powers and the back-and-forth travel to the spirit world aren't necessarily plausible, however, Oppel's great storytelling skills doesn't make us seem to notice. Plus, there isn't really much of an explanation in the original Frankenstein of what mixture of science and magic Victor exactly used to create his monster.
Though Victor learns an important lesson at the end of this book, there is still the curiosity and the drive to see how far humans can go with science in the back of his mind that is not only very chilling but in a morbid way excites us to learn what boundaries he will cross next.
Curriculum Connection: Use to accompany the original novel.
Rating: 4 stars
Words of Caution: Mild PG language, an attempt at sexual assault, and some disturbing images. Recommended for strong Grades 6 and up particularly for those who enjoy historical fiction, horror, and adventure with a minor romance subplot.
If you like this book try: Frankenstein by Mary Shelley, Death Note manga series by Tsugumi Oba, Clay by David Almond, Prodigal son by Dean Kootz (an adult book with YA appeal)
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