The Thirteenth Tale

  Happy Holidays, readers! I hope you are enjoying the holidays with friends and family. In these last few days of December, I'm trying to wrap up some of my remaining reading challenges. I'm almost half way done! The Thirteenth Tale wraps up my Alex Award reading challenge this year.

Description: Margaret Lea works in her father's antiquarian bookshop where her fascination for the biographies of the long-dead has led her to write them herself. She gets a letter from one of the most famous authors of the day, the mysterious Vida Winter, whose popularity as a writer has been in no way diminished by her reclusiveness. Until now, Vida has toyed with journalists who interview her, creating outlandish life histories for herself - all of them invention. Now she is old and ailing, and at last she wants to tell the truth about her extraordinary life. Her letter to Margaret is a summons.Somewhat anxiously, the equally reclusive Margaret travels to Yorkshire to meet her subject - and Vida starts to tell her tale. It is one of Gothic strangeness featuring the March family; her mother, the beautiful and willful Isabelle, who had a powerful hold on her father and brother, and the feral twins Adeline and Emmeline.Margaret, herself a twin, is doubly intrigued. But as a biographer she deals in fact not fiction, and she doesn't entirely trust Vida's account. She goes to check up on the family, visit their old home and piece together the story in her own way. What she discovers on her journey to the truth is for Margaret a chilling experience that will transform her life.

Review:  The Thirteenth Tale pays homage to the great Gothic writers, particularly Charlotte Bronte and Daphne Du Maurier, while weaving a wholly original story of its own. The story at first seems very familiar as a plain girl gets wrapped up in a dark, haunted ruin of a house, which guards family secrets that are not hers and that she must discover at her peril. Along this bleak journey, she also learns secrets about her own family.
  Margaret Lea is a London bookseller's daughter and a bibliophile. An introvert, she has lived vicariously through the written world. Her world revolves around what knows through her books. Books are her solace, friends, and adventures she can safely go on without any dangers. She enjoys books where the truth is written out in black and white terms and where the unjust are punished in the end. She also has an interest in siblings and has written an obscure biography that suggests deep understanding of siblings.
  It is Margaret's fascination with siblings that attracts the attention of the famous and now aging author Vida Winter, who finally wishes to tell her own, long-hidden, life story. Facing imminent death and feeling an unexplainable connection to Margaret, Miss Winter begins to spin a haunting, suspenseful tale of an old English estate, a devastating fire, twin girls, a governess, and a ghost. As Margaret carefully records Vida's tale, she ponders her own family secrets.
   The Thirteenth Tale immediately grabbed my attention right away. I felt a kinship with Margaret's love of books and I was swept away with the story that Ms. Winter spun. All throughout the story with a story, I wondered which bits were true. I  had no problems distinguishing between the two narrators as their voices were so different, but the transition from one to the other felt smooth. I loved the connections with some of my favorite books, but I was delightfully surprised that the connections were not a complete retelling of the story but showed how books can touch our lives in so many different ways. The book's pace was steady and there were plenty of twists and cliffhangers that kept me turning the pages. I was sad when the story concluded, but I think it could be enjoyed even more the second time you read it. The Thirteenth Tale is truly a book lover's book that celebrates reading and storytelling.

Rating: 5 stars

Words of Caution:  There are hints of sex and incest in the book, but nothing graphic or explicit. Recommended for teens and adults only.

If you like this book try: The Forgotten Garden by Kate Morton, The Children's Book by A.S. Byatt, Shadow of the Wind by Carlos Ruiz Zafon, Rebecca by Daphne Du Maurier, and Jane Eyre by Charlotte Bronte

Manga Mondays: Nana Vol 21

 Manga Mondays is a meme hosted by Alison at Alison Can Read where bloggers can share their passion for reading mangas. It's a great place to get new manga titles to try and to meet new bloggers. At the moment, I've got sucked into the world of Nana where music is the back drop and fuels the characters' passions and where love and heartbreak go hand in hand.

Description (abridged to avoid major spoilers): Tragedy strikes the world of Nana. One horrible accident will change the course of everyone's future...

Review: While Volume 20 left me heart broken with lots of foreshadowing, Volume 21 tore my heart asunder. The story is cloaked in sadness and grief as we lose one vital character from the manga series. The main arc of this story is watching how each character reacts and deals with the loss. Once again the art of Yazawa is impeccable. She deftly uses wordless panels to show her characters' emotions without relying on wordy dialogue. It is also obvious that the author isn't shy away from causing her characters pain, but that's what gives this otherwise melodramatic soap opera manga some realism.
 Other readers have Nana complained that the series focused too much on the various character relationships, watching who breaks up and who gets together. I would argue, however, that each relationship regardless how I feel about them adds an additional layer to the character's personality. There is no doubt that Volume 20 and 21 are the climax of the series providing us with a new story arc, however, the series is currently on hiatus since 2010 due to the author's illness. I really hope that author picks up the series again as many fans, including myself, need some closure. Perhaps I can relive the series by watching the anime and/or live action movies based on the series.

Rated: 5 stars

Words of Caution: Mature themes and language. Recommended for mature teens and adults only.

If you like this book try: We Were There by Yuuki Obata, Honey and Clover by Chica Umino, Tramps Like Us by Yayoi Ogawa

Manga Monday: Nana Vol. 20

  Manga Mondays is a meme hosted by Alison at Alison Can Read where bloggers can share their passion for reading mangas. It's a great place to get new manga titles to try and to meet new bloggers. At the moment, I've got sucked into the world of Nana where music is the back drop and fuels the characters' passions and where love and heartbreak go hand in hand.

Description (from Goodreads): Ren's drug use is spiraling out of control and he doesn't want to drag Trapnest down with him. Neither Takumi nor Reira are willing to let Ren quit the band, and both do their best to give him the time he needs to get it together. But Ren isn't sure this is something he can handle on his own. Will he turn to Nana for help, or will their strained relationship make him try to face his demons alone?

Review: Though volume 20 might be one of the shortest volumes of Nana, but it packed a powerful punch that left me reeling and in tears. It's hard to believe that the story of two girls with the same name has taken place for a year. Do you know the saying, "When it rains, it pours?" Yeah, well it's pouring buckets and buckets in the world of Nana. Blast has had to break up and Nana O. begins to pick up the pieces and start her solo career. This time Trapnest is imploding from within: Takumi crosses the his boundaries with his relationship with Reira in the hopes of containing the damage, while Ren attempts to leave band as he knows his drug use has gotten out of control.
    Yazawa has some of the most beautiful artwork in this volume. The tone of the volume is colored in quiet, dark strokes. There are several panels that are wordless yet the character's body language speaks loudly. There are a few comic intervals than usual and the "look" from the characters clothes, dialogue is suitably oppressive and tense. She really does do an amazing job of keeping it all visually consistent.
   One of the reasons why I love this manga despite its melodrama, soap opera plot line is the way in which its multi-stranded plot jumps back and forth in time. The stories and the character's internal conflicts in their essence is very realistic. Besides the main story line and the inevitable character "back-stories," there are also sections of the story that are set an unspecified number of years in the future, and indeed, much of the continuing dramatic tensions revolves around what happened to Nana Osaki and the rest in-between. We are told that the Nanas have separated and the fiery, strong-willed Nana O. that we have come to love has irrevocably changed. In this volume we now understand what tragedy occurred and how its magnitude is felt with all the characters.
  Another reason why I love this manga is the growing character development for all of the characters. The chapters from the future suggest that characters, particularly Takumi who I find is most striking, have changed. It is as if to suggest that the most single event in this book was a wake-up call for all of the characters. Needless to say, this volume ends with the single event which is likely to begin the ripples which will bring this series racing toward its climax. I don't know how the characters will deal with the present situation and move forward.

Rating: 5 stars

Words of Caution: There are mature themes and depiction of drug use. Recommended for mature teens and adults only.

If you like this book try: We Were There by Yuuki Obata, Nana Vol 21 by Ai Yazawa, Honey and Clover by Chica Umino, Tramps Like Us by Yayoi Ogawa

Gone Girl

  Gone Girl is probably the most talked about book of this summer. I wouldn't be surprised if you've seen the cover graced upon the displays at your local bookstore or be a suggested read from librarians, booksellers, or even from friends. The book has sat comfortably on the New York Times bestseller list for many weeks. If you only have limited reading time this year, definitely put Gone Girl on top of your reading list.

Description (from Goodreads): On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer? As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet?

Review: A common complaint of not liking a book is the failure to connect to the main character(s). Readers, including myself, want to have the ability to align themselves and support or at the very least find something redeemable about the protagonist in order to have an active, enjoyable role in reading. There are a very few books I have loved that feature despicable characters and Gone Girl has made that list.
  Deliberately deceptive, Gone Girl is set up to be your average "who dunnit" murder mystery. You are given an outline of a typical murder plot. A perfect wife's disappearance plunges her husband into a nightmare as it rips open ugly secrets about his marriage and, just maybe, his culpability in her death. In the first half of the book we are introduced to Nick and Amy as they revel in the happy bliss of marriage. Soon that mirage ebbs away after both individuals are laid off from their jobs and a sudden move from move New York to North Carthage, Mo., where Nick ailing parents suddenly need him at their side. Since Nick and Amy were so good playing the part of a perfect couple, no one ever suspected that the marriage was fraying, until the fateful morning on their fifth anniversary when Amy vanishes with every indication of foul play.
  With mounting evidence stacking up against Nick, his innocence is immediately questioned. His is incapable  of communicating any grief over the sudden loss of his darling wife, which doesn't help him in the case at all.  As a reader, I was even appalled at his insensitivity, his ineptitude of not cooperating with the police, and his insistent whine about Amy's flaws. Soon I began to see the real Nick. A hollow man who used his wife to give himself an identity and resented her when he failed to live up to her expectations of a great husband, but does this mean he deserves to get tagged as his wife's killer? And if by the off chance that Nick is actually innocent then what really did happened with Amy? Flynn intersperses the mystery of Amy's disappearance with flashbacks from her diary, which allows us to get a chance to know Amy and her perspective of her failing marriage. Her silent cries, only written on paper, earn our sympathies.
  The first half of the book is purposely very slow as Flynn sets up the players of her story. We are given enough time to form our opinions about Nick and Amy from either their own accounts or what they've written about themselves. We are manipulated to believe certain things are true until the huge twist at the half way mark of the book is revealed and then we are asked to re-evaluate the characters. My feelings for the characters changed quickly like a mood ring and I couldn't wrap my heads around how incredibly sick and twisted these characters can be.
  After discussing this book with several others who have also read it, the twist will either make you love the book and continue to read it in a feverish attempt to finish it or hate the book and make you regret for falling for the hype. I, personally, thought the twist was incredible and raised the book from your average murder mystery to a psychological cat and mouse thriller. I was so happy to find a book that I couldn't predict in advance. Many readers have also complained that the ending was anticlimactic  but I would have to disagree. I think Gone Girl is one of those rare thrillers whose revelations actually intensify its suspense instead of dissipating it. The final pages are chilling and I don't think it could have ended any other way. Once I finished the book, I had to find someone to talk about it and that is why it will be my selection for my turn to host the book club in January.

Rating: 5 stars

Words of Caution: There is strong language, violence, implied sex, and disturbing themes. Recommended for mature teens and adults only.

If you like you like this book try: The Girl in the Box by Sheila Dalton, Our Dailly Bread by Lauren B. Davis, Never Tell a Lie by Hallie Ephron, Dare Me by Megan E. Abbott, Into the Darkest Corner by Elizabeth Hayes

The Mark of Athena (Heroes of Olympus #3)

  While the Heroes of Olympus is a spin off series of the Percy Jackson, I highly recommend that readers read the Percy Jackson series first in order to get a proper introduction to Camp Half-Blood and several major characters that are from the prior series as well as the first two books in the Heroes of Olympus series. Otherwise readers may feel like they are dropped into a middle of a series and be a bit confused as to what is going on. The review below does not contain any spoilers for The Mark of Athena.

Description (from the publisher): In The Son of Neptune, Percy, Hazel, and Frank met in Camp Jupiter, the Roman equivalent of Camp Halfblood, and traveled to the land beyond the gods to complete a dangerous quest. The third book in the Heroes of Olympus series will unite them with Jason, Piper, and Leo. But they number only six--who will complete the Prophecy of Seven?

   The Greek and Roman demigods will have to cooperate in order to defeat the giants released by the Earth Mother, Gaea. Then they will have to sail together to the ancient land to find the Doors of Death. What exactly are the Doors of Death? Much of the prophecy remains a mystery. . . .

With old friends and new friends joining forces, a marvelous ship, fearsome foes, and an exotic setting, The Mark of Athena promises to be another unforgettable adventure by master storyteller Rick Riordan.

Review: Thus far all of Rick Riordan's mythology/adventure books have followed a simple formula: a group of heroes are given incredibly ominous and vague prophecy and in order to understand the prophecy and to avert the end of the world they must go on a quest. Riordan's formula is no different from the original Greek or Roman myths, but he brings a new angle in The Mark of Athena, the third book in his Heroes of Olympus series.
  The Mark of Athena is full of expected adventure and humor along with connections to classic myths, but we are also given an opportunity to witness character and relationship growth of the key characters involved.  The demigods embarked on the dark, twisty, and complex prophecy first mentioned in The Lost Hero, are from two camps, Camp Half-blood for the Greeks and Camp Jupiter for the Romans, who don't have very good diplomatic relations (and that's an understatement). Not only do these demigods have to work together, but they have to build trust, a working relationship, and eventually friendship in order to complete their quest. Riordan builds upon the great foundations of the characters in his other two installments of the Heroes of Olympus series. He successfully achieves this as the demigods also have to complete several mini-quests in addition to the large over-arching adventure.
   The mini-quests not only brings our heroes closer to solving their riddle, but the readers get a great opportunity to zero in on the characters.   This is further amplified when the narrative is once again from multiple point of views, which I didn't find difficult in following at all. We find each character alone and are able to feel their fears, frustrations, and insecurities when they are forced to be in the spotlight instead of on the outer fringes. For example in the Percy Jackson series, Percy is aptly the star hero and though Annabeth was a very strong secondary character, she remained so for the entire series. In The Mark of Athena, we finally get a chance to be in her shoes and see how she uses her trademark wit, smarts, and wisdom to be a heroine.
  I really enjoyed how The Mark of Athena forces our heroes to question themselves. Riordan spends time asking readers what it means to be a hero, to be selfish, and whether or not the gods (major and/or minor) acted out the right way in some of the popular myths, particularly in the case of Athena and Hercules. It's nice to know that even though these characters have divine blood in them, they also retain their very human aspects, which is why I think so many readers are able to connect with them on many levels.
  Though the book is at a hefty tome, less than 600 pages, you can't help but devour it. I finished in less than a week because I needed to know what happened next. Readers will most likely be so immersed in the story and action that they probably wouldn't notice the page length. I do have to warn you that the book ends in a very clever yet cruel cliffhanger. The next book, House of Hades, does not come out until next year. It's going to be a long hard wait to find out what happens to our favorite heroes and heroines.

Rating: 5 stars

Curriculum Connection: English and Social Studies

Words of Caution: There are some scary, fantasy violence that is PG rated. I think this book is appropriate for Grades 4 and up.

If you like this book try: The House of Hades (Book 4 of the Heroes of Olympus series, available Fall 2013), Kane Chronicles by Rick Riordan, Gods of Manhattan by Scott Mebus, The Night Tourist by Katherine Marsh, Shadow Thieves by Anne Ursu

Tiger Lily

  While I love a good love story with a happy ending, there is a part of me that is drawn to the darker, subdued romance found in tragic love stories. There is something captivating and realistic about a love that could have been. Tiger Lily is an enthralling and haunting story of a girl who may be obscure in other retellings of Peter Pan, but now leaves an eternal mark on those who meet her in this novel.

Description (from the Publisher): Before Peter Pan belonged to Wendy, he belonged to the girl with the crow feather in her hair. Fifteen-year-old Tiger Lily doesn't believe in love stories or happy endings. Then she meets the alluring teenage Peter Pan in the forbidden woods of Neverland and immediately falls under his spell.
Peter is unlike anyone she's ever known. Impetuous and brave, he both scares and enthralls her. As the leader of the Lost Boys, the most fearsome of Neverland's inhabitants, Peter is an unthinkable match for Tiger Lily. Soon, she is risking everything—her family, her future—to be with him. When she is faced with marriage to a terrible man in her own tribe, she must choose between the life she's always known and running away to an uncertain future with Peter.
    With enemies threatening to tear them apart, the lovers seem doomed. But it's the arrival of Wendy Darling, an English girl who's everything Tiger Lily is not, that leads Tiger Lily to discover that the most dangerous enemies can live inside even the most loyal and loving heart.

Review: Thanks to Barrie's bittersweet classic tale of Peter Pan and the many different film adaptations of his book, we are always expecting Neverland to be a magical place full of fun, danger, and adventure. What is hidden behind the scenes is the mud that accompanies the white sandy beaches and gorgeous sunsets, the mosquitoes, and croc-infested swamps. Anderson's enchanting book, Tiger Lily, opens our eyes to every light and dark aspect of Neverland where the good guys don't always win and love does not conquer all.
  Though the novel is dark, it still retains its lyrical beauty through exquisite descriptions and searing honesty that goes straight to your heart, which our heroine, Tiger Lily, perfectly embodies. Neither a traditional girl associated with femininity nor a boy, Tiger Lily is cursed to never be accepted. It's not that no one cares for her, but they are puzzled as to which label to give her. She refuses to change herself even if it would make things easy on her. She has long battled bullying from the children and elders of her tribe of not quite being accepted. After one transgression too many, she is told she must marry Giant, a violent oaf who mistreats her whenever the chance presents itself. It is only natural that Tiger Lily would fall in love with a boy who reflects her emotions and have him be Peter Pan, someone who she must avoid at all cost.
  With a clever narration choice, Anderson has Tiger Lily's story told by Tinkerbell's point of view. In this rendition of Peter Pan, Tink is unable to speak but we can hear her thoughts. Having Tinkerbell as the narrator, we accomplish many things at once. Not only are we are able to hear it on a very personal level and get a close look at all the characters individually whilst having a wider scope than normal 1st person allows, but it's also a reflection on the tension and metaphor in this post-colonial fable. Before reading Tiger Lily, I was honestly at a lost of who she is and whether or not she is a real character in Barrie's story. I actually had to look her up and there's not that much information about her, except for the one line in the Disney's Peter Pan. I really think that's a reflection of the narrative choice. Tiger Lily also touches upon other important issues that brim to the surface such as wilderness and civilization, gender and power, time and change. These themes are discussed but they aren't forced or repetitive. Tiger Lily is not just an ordinary love story, which is something I extremely admire about it. 
  Like Tiger Lily, Peter is also hard to identify. While he may physically look young and characteristicly known for his reckless behavior and irresistible charm, there is a vulnerability to him too. He is lost, unsure of his purpose in Neverland and not suited to guide the Lost Boys though he refuses to give up the leadership role. I think one of the most touching scenes in Tiger Lily shows how the Lost Boys take care of a small infant, which really exemplify their concerns.
  The villains in this story are as complex as everyone else. Anderson offers new and interesting interpretations for familiar characters. James Hook is a sad, old man who came to Neverland on dreams to pursue eternal youth, but has failed in his mission. He has since then descends into alcoholism and his obsession with Peter Pan is actually a reflection of his own self hatred. Although Hook is the star villain, I couldn't help but become memorised by Smee who murders those he admires for their strength and beauty but then mourns their deaths. It's almost as if he's trying to absorb his victims goodness into himself.
  I initally gave Tiger Lily 4.5 stars when I finished reading the book, but after reflecting on it and writing this review I realized that's doing this book a diservice. Intoxicating, dangerous, and emotional, Tiger Lily's tale isn't easy to forget. Yes, it is melancholy and while it may not bring a happy contented sigh after we close the page, we have to remind our selves that Barrie's tale didn't have a happily ever after either and a happy ending would undermined all important character growth.  

Rating: 5 stars

Words of Caution: There is a hint of sexual assault that takes place of the page. There is also a few disturbing images in the book. Recommended for Grades 8 and up.

If you like this book try: Lament by Maggie Stiefvater, Ash by Malinda Lo, Scarlet by A.C. Gaughen, Mermaid by Carolyn Turgeon

Bitterblue

  Like many of Kristin Cashore's fans, I was impatiently waiting for the release of Bitterblue. I wanted to know what happened to the adolescent who fought tooth and nail to survive. I also was super curious what happened to Katsa, Po, Fire, and a whole slew of characters that I've grown to love in this series. Though Bitterblue takes place after Graceling, I would highly recommend reading Graceling and then Fire before tackling Bitterblue as a lot of important plot events and reoccurring characters reappear and have important roles in Bitterblue not to mention that the world of the Graceling realm is incredibly intricate.

Description (from Goodreads): Eight years after Graceling, Bitterblue is now queen of Monsea. But the influence of her father, a violent psychopath with mind-altering abilities, lives on. Her advisors, who have run things since Leck died, believe in a forward-thinking plan: Pardon all who committed terrible acts under Leck’s reign, and forget anything bad ever happened. But when Bitterblue begins sneaking outside the castle—disguised and alone—to walk the streets of her own city, she starts realizing that the kingdom has been under the thirty-five-year spell of a madman, and the only way to move forward is to revisit the past.
  Two thieves, who only steal what has already been stolen, change her life forever. They hold a key to the truth of Leck’s reign. And one of them, with an extreme skill called a Grace that he hasn’t yet identified, holds a key to her heart.

Review: Like Graceling, Bitterblue takes place in the Seven Kingdoms, where Queen Bitterblue rules over the realm of Monsea. To your ordinary landscape of castles, villages, mountains, and kingdoms comes a unique layer of fantasy. There are people who are born with a grace, an extraordinary ability (some may call it superhuman) to perform a task, which can range from a expert fighter to a lie dector. People with graces have two different eye colors. People either embrace their grace or run away from it. Bitterblue's father, King Leck, had an awful grace that he used to rule his kingdom with an iron fist. After eight years after his death, the kingdom is in rumbles and his eighteen year old daughter, Bitterblue has fully become the Queen of Monsea.

  We are immediately told from the stark and direct opening line of the first chapter that we are on a  journey in search of truth. Though she was technically a queen at the age of 10,  Bitterblue begins her responsiblity as a ruler. Unlike Katsa and Fire before her, Bitterblue doesn't have a grace to rely on. She must use her instinct, intellect, and struggle in earnest to find her way through the fog of secrets hidden within her kingdom. Cashore expertly weaves mystery, suspense, and revelation into her story. Some reviewers have commented on the slow pace and the circuitous route that Cashore took her characters to find the truth, but I loved the slow burn plot and found the story utterly absorbing.
  While Bitterblue may lack the action sequences or the focus of romance unlike Graceling and Fire, it is a story about reconstruction. The enemy isn't a physical being, but rather an idea and memory. How do you rebuild a kingdom where trust, loyalty, and the truth have been so manipulated? There is a tangible cloud of confusion that inhabits each and every corner of the kingdom— the nature of the terrible depravity of her dead father, Leck; the condition of her court and her subjects; the true identities of her companions; the ciphers (which were so compelling that I had to reread them to figure out the clues hidden inside) she must recognize and solve.       

  There’s also an element of romance in Bitterblue, but not the sole focus of the story. Bitterblue doess fall in love for the first time, and it is unconventional. Here, as in her previous novels, Cashore handles sexuality in a very unique way that stays true the personality of her charcters rather than the how they are suppose to be because they are a lord or a lady.      

 What I find interesting with the Graceling Realm trilogy is that the books don’t form your conventional trilogy. Though similar characters may appear, the events aren't sequestial but rather interlocking that span well over fifty years, which is why I recommend that you read Cashore's previous books to enjoy Bitterblue to its fullest.    

  I absolutely loved how the theme of power comes a full circle in Bitterblue. Since Bitterblue is not responsible for or needs to watch her limits of extraordinary power, that doesn't make her powerless. Bitterblue's strugle is to accept her obligation of having power and using it correctly in order to rule her kingdom. She is forced to embrace her station with limitations and all. She must come up with her own system of law virtually from scratch.

  Bitterblue is high fantasy at its best. While Bitterblue and company may live in a far removed world from us, they all deal with very real issues which is why they are very appealling when it comes to their stories. Cashore creates a mesmerizing world of complex characters where good and evil may be on the same flip of the coin. I'm already determined to do a reread of all three books just to uncover new gems that I might have missed the first time when Bitterblue comes out in paperback.         

 I can't recommend Bitterblue higly enough for readers who love strong female characters that carve out a future for themselves. It's nice to have a series where begin a female isn't seen as a weakness but rather different aspects of the gender is celebrated.
Rating: 5 stars

Words of Caution: There are some disturbing images, some language, and sexuality which is implied and not explicitly described. Recommended for strong Grade 8 readers and up.

If you like this book try: Seraphina by Rachel Hartman, Girl of Fire and Thorns by Rae Carson, Song of the Lioness series by Tamora Pierce, Star Crossed by Elizabeth Bunce, Grave Mercy by Robin LaFevers, Study series by Maria V. Snyder

Picture Book Reviews: Middle East Edition Part 2

  I'm having a great time reading and discoveirng new picture books for my picture book challenge, which is hosted by Jennifer over at An Abundance of Books. I wanted to read some children literature that take place in the Middle East. It was difficult to find some that were fiction and not slanted in a political opinion, but I did manage to find some. I will be reviewing: Tunjur! Tunjur! Tunjur! by Margaret Read Macdonald, Mystery Bottle by Kristin Balouch, Silent Music by James Rumford, and Joha Makes a Wish by Eric Kimmel.


Description: A childless woman's prayers are answered by the arrival of a talking pot, but the new mother knows that Little Pot must learn right from wrong just like any child.

Review: Based on a Palestinian tale, a woman wishes for a child to love, even if it is nothing more than a cooking pot. Her wish comes true, and red Little Pot appears. The two spend some quality time indoors, but the Little Pot grows restless and years to explore the outside world. Reluctantly, the mother lets her pot outdoors, and Little Pots adventures and troubles begin. For the most part, I really enjoyed this book. There's plenty of repetitive phrases and lots of action to keep an audience's attention. The vibrant illustrations with clear influence on Islamic art fill the pages; however, I found myself a bit lost on the cultural detail in the story. There are also some heavy messages of right and wrong behavior, but overall I enjoyed it. I think it would be interesting to pair this one with multicultuarl variations of the Gingerbread Man stories.
Rating: 3 stars

Words of Caution: None. Recommended for Grades Preschool to Grade 2.

If you like this book try: The Man With Bad Manners by Idries Shah,

Description: What happens when a boy and his grandfather are separated from each other by borders, politics, and distance? The mystery bottle unites the two through an extraordinary gift. The bond of their love.

Review: I loved the concept behind Balouch's Mystery Bottle. The first intriguing image is found on the book jacket, which features a picture of a bottle with a rolled map plugging the opening. We know we are going on a journey with the boy on the cover. The bottle arrives in a package; when the boy removes the map, wind blows out of the bottle, whisking him across the sea and through the city where his grandfather, Baba Bazorg, now resides. Together they spend time and the grandfather explains that can still have a relationship even though they are thousands of miles away. I would have liked a bit more clarification and exploration of the country which the boy travels to and from (according to the book's blurb it's Iran). have tea, and the grandfather explains how, whenever the boy wants a cup of tea, he can open the bottle and be carried back to him. I'm not entirely sure if kids would grasp the deeper meaning behind this book, but I think it would make a good discussion. The artwork, which can be a bit crowded, is striking and unique. It combines simple, cut-paper shapes, collage, and stamp art, set against maps charting the boy's adventures.
Rating: 3 stars

Words of Caution: None. Recommended for Grades K- Grades 3.

If you like this book try: Landed by Milly Lee


Description: As bombs and missiles fall on Baghdad in 2003, a young boy uses the art of calligraphy to distance himself from the horror of war.

Review: Silent Music is a beautiful book that brings hope and light behind the back drops of war torn Iraq. Ali is a simple boy who loves soccer, music, and above all calligraphy-forming the elegant Arabic letters, pen that move along to the silent music he hears in his head. Ali tells us that his secret hero is the famous artist Yakut, a renowned 13th-century calligrapher who is said to have fled to a high tower to shut out the violence by the Mongol invasion at Baghdad in 1258. Like his hero, Ali also escapes from war and seeks solace from the missles and bombs that falls on Baghdad in 2003. The effects of war on Ali is sublte yet profound. The Arabic word for war, Harb, comes easily to his pen, while he struggles to perfect Salam, the word for peace.
I absolutely loved the art work in this book. The jewel-toned illustrations are made with pencil, charcoal, and computer art programs. Ali and his family are depicted with warmth and personality, and their interactions add intimacy to the story, much like our own. Elaborately detailed designs appear throughout the book. It's clear that the illustrator is well aware of Islamic art from intricate tile arrangements, delicate floral motifs, and colorfully patterned clothing. Like the text, there are subtle images of war (army vehicles, helicopters, etc) that are striking with dark colors. I also loved how the the Arabic language adorns the pages as well as teaches the reader some new words. I highly recommend picking this up book.

Rating: 5 stars

Words of Caution: None. Recommended for Grades 2 to 6.

If you like this book try: The Librarian of Basra by Jeanette Winters, The Color of Home by Mary Hoffman

Description: An original story, based on the Joha tales of the Arabic-speaking world, in which a hapless man finds a wishing stick that brings him nothing but bad luck. Includes an author's note about the history of Joha tales.

Review: Joha Makes a Wish is a laugh out funny folk tale from the Middle East. Kimmel recasts a Jewish tale from Yemen, and borrows story elements from widespread Middle Eastern folklore featuring the foolish wise man, aka Nasreddin Hodja. Kimmel's introductory note which gives us a little background to the story doesn't really explain his choice of using a lesser known name of Joha for his story, but that doesn't detract anything from the delightful story.
One day Joha finds a wishing stick. Everything he wishes for gets reversed. For example, he wishes for a new pair of shows, but instead his shoes disappear entirely. In spite of Joha's angry efforts to rid himself of the troublesome stick, it tightly adheres to his hand, causing much worse trouble when he encounters the sultan in the streets of Baghdad. Kimmel's well-paced text smoothly builds events and dialogue, leaving the character interpretation to the comic portrayals in Rayyan's energetic watercolor drawings. The character's physical features are exaggerated for comic effecct. Joha is a small man with large hands and feet and a long, thin expressive face beneath a generous turban. His frayed sandals and patched trousers contrast with the splendor of the robust sultan and his armored guards. I don't know for sure if Joha's misadventures in this book are true to the original folklore or cultural roots, but I do know that this book will promise a great read along as the underdog outsmarts those who are powerful.
Rating: 4 stars

Words of Caution: Recommended for Grades 1 to 6.

If you like this book try: The King's Taster by Kenneth Oppel, The Queen's Feet by Sarah Ellis